{"id":641,"date":"2014-06-08T22:39:03","date_gmt":"2014-06-09T03:39:03","guid":{"rendered":"http:\/\/julianasilva.co\/?p=641"},"modified":"2019-11-20T12:17:11","modified_gmt":"2019-11-20T17:17:11","slug":"articulo-de-investigacion","status":"publish","type":"post","link":"https:\/\/julianasilva.co\/?p=641","title":{"rendered":"Artistas pl\u00e1sticos seg\u00fan su p\u00fablico por Juliana Silva y Andr\u00e9s L. Caballero 2014"},"content":{"rendered":"\n<p class=\"has-normal-font-size\"><a href=\"http:\/\/issuu.com\/revistacallecatorceinvestigacion\/docs\/articulo_6\" target=\"_blank\" rel=\"noreferrer noopener\">Link to article\/ Enlace al art\u00edculo<\/a><\/p>\n\n\n\n<p class=\"has-normal-font-size\">El siguiente art\u00edculo comprende la interpretaci\u00f3n de un sondeo realizado a los diferentes actores que han tenido alguna relaci\u00f3n con las artes pl\u00e1sticas en Bucaramanga, Colombia, durante los \u00faltimos 5 a\u00f1os, (2008-2012). Este estudio muestra la visi\u00f3n y el ideal que tienen el p\u00fablico y los artistas sobre los creadores de la ciudad, adem\u00e1s de los requerimientos que seg\u00fan ellos deben tener los artistas para ser reconocidos como tal. Finalmente, este texto rese\u00f1a a los cuatro artistas que mayor recurrencia tuvieron en las encuestas, partiendo desde un ejercicio estad\u00edstico para diagnosticar el ambiente de las artes pl\u00e1sticas de la ciudad.<\/p>\n\n\n\n<p class=\"has-normal-font-size\">*Este articulo es resultado de una investigaci\u00f3n que se realiz\u00f3 en conjunto con el Grupo CUYNACO (Cultura y Narraci\u00f3n en Colombia) de la Universidad Industrial de Santander UIS, Facultad de Ciencias Humanas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Link to article\/ Enlace al art\u00edculo El siguiente art\u00edculo comprende la interpretaci\u00f3n de un sondeo&#8230;<\/p>\n","protected":false},"author":2,"featured_media":647,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[55],"tags":[35],"class_list":["post-641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writing","tag-articulo"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/posts\/641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/julianasilva.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=641"}],"version-history":[{"count":10,"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/posts\/641\/revisions"}],"predecessor-version":[{"id":2032,"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/posts\/641\/revisions\/2032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/julianasilva.co\/index.php?rest_route=\/wp\/v2\/media\/647"}],"wp:attachment":[{"href":"https:\/\/julianasilva.co\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/julianasilva.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/julianasilva.co\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}